I am feelin’ this mocha biscuit cake, y’all. And I gotta tell ya: I have a soft spot for desserts that come together easily…and this dessert falls into that category.

I’m usually good with color, but I totally messed up the white balance on our last shoot. Most of the time I set my camera to Daylight White Balance and call it a day, but on this session, I was using a couple of vintage (fancy for old) softboxes that had a serious yellow tint. I could see the boxes had a color issue, but just like every other lazy photographer in the world, I said “I’ll fix it in Photoshop.”
This is a complicated subject, but I’ll try to explain it in simple terms. Camera sensors are made up of Red, Green, and Blue pixels. When an image is captured, the camera mixes theses colors together to create a neutral scene. If the camera mixes these wrong, then you end up with an image that looks like a funky Polaroid from the 70’s.
If you’re thinking, why doesn’t the camera just get it right? Here’s the problem: the world isn’t color neutral. Afternoon light is warm; morning light is cool; candlelight is red; florescent light is green etc. Our eyes automatically compensate for these color casts, but cameras don’t have it so easy. This is where white balance comes into play. To compensate for these various color casts, cameras create different balances of red, green, and blue to create a neutral white.
Most of the time the camera gets it right, but it frequently needs some help. This is why cameras and photo editing software have manual white balance controls.
Actually, for food photography it isn’t that important. Most of the time, morning food is cool and evening food is warm. If you need to manipulate the color to make something look right, go for it. Some may argue this point, but I have yet to see a Hot Pocket that looks as delicious as the package.
Despite this fact, you should still work in a color managed environment. Color may not be critical, but it’s part of any professional practice. Tomes have been written on this subject, but the best way to manage color is with a Spydercube and an X-Rite Colorchecker Passport.
Lightroom makes white balance so easy it’s stupid. Here’s how you do it: (see image below)
1) Click on the Develop Module
2) Select the white balance dropper in the Basic Panel
3) Move the dropper over a patch of light grey
4) Watch the RGB values in the hovering pixel panel
5) When the RGB values are nearly identical, click on the patch and have a beer
6) Seriously, that’s it. You’re done so have a cold one
For the picture above, I knew I was working on a neutral surface so I could color balance later. If I wasn’t, I would have used a QP card for a neutral reference point.

It’s easy to get obsessed about color, so don’t. Stick with a few inexpensive QP cards along with a color calibrated monitor and you should be alright. The most important thing is that the food looks good. If it doesn’t, nobody is going to care about the color.

I don’t like eggs.
Yes, I’m crazy about breakfast, but not if it includes something scrambled. I guess I’ll eat them if:
Don’t get me wrong, eggs are amazing and extremely versatile. Wanna make a custard? Yolks are your best friend. Meringue for my pie? Hand me those egg whites. Need a lift for your cake? You get the picture.
And let us not forget cookies. I make a lot cookies. Sometimes they’re of the sugar cookie variety. On occasion, they’re of the brown butter pumpkin shortbread variety. Needless to write, I always have a lot eggs hanging around. Yesterday, I used a couple to make a Grilled Cheese Egg in the Hole. What?

If you are an egg fan and a grilled cheese fan, you need to make this sandwich. Trust. They’re very impressive, equally simplistic, and go from kitchen to table in less than 10 minutes. Plus, if you’re like me, you’ll be the lucky one eating all the leftover holes of grilled cheese. Now, that’s what I’m talking about!

High key food photography kicks ass. Soft window light may be in vogue, but frankly, IT’S BORING. Everyone is doing it and seriously, why not zig while others zag. Read More…

What does one do when her partner gives up his studio?
Yeah, you guessed it. The answer is ‘wait’. I hate waiting, man-like I will “Hulk-SMASH” if you put me on hold for longer than the length one Katy Perry song, but what was I to do? Read More…

“You totally screwed me!”
Those were the last words I heard as the studio door was slammed in my face. I never imagined things would end this way, but life is funny.
Two weeks ago, everything was cool. Now, I don’t have a studio. Here’s what happened. Read More…